INFO: BASE LUTS ARE INCLUDED FOR FREE ON EVERY NTOWN STYLING LUT PURCHASE!Īvailable BASE LUT Collections Canon C300 Mark IIīASE LUTs for Canon c-log, c-log2, c-log3, all in two Gamut variations BT. The base LUTs corrects the values to a more “viewable” image appearance without loosing any image information in shadows or highlights. While camera manufacturer’s REC.709 LUTs can be used on some shots, they crush blacks too much and clip highlights to levels where brightness information is lost and therefore most likely don’t gets you the wanted look, especially when further grading is desired. Download 3D LUTs for DaVinci Resolve S-Gamut/S-Log2 S-Gamut 3.Cine/S-Log3 Procedure Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed. Simply apply the CINECOLOR Slog 3 LUT to your raw footage to convert to Rec 709 with the enhance color palette. First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs. These LUTs also provide the “base” for NTown’s Styling LUTs which are available in our Webshop. The LUT included in this download package is intended to be used in place of Sonys native LUT, not in addition to it. For the Canon C300 MkII c-log2 needs 2 stops over exposure and the classic c-log and c-log3 need 1 stop overexposure. Base exposure was the light meter reading with additional stops overexposure depending on the selected gamma’s needs, so that colors and contrast look right. However, it seems like most of my footage gets kind of blurry, noisy and unsharp. Blacks are lowered to the lowest possible – with all shadow details preserved without crushing the blacks.Īll Canon LUTs are gernerated based on precise light meter ( Sekonic L-408) readings with a standard grey-card. Hello Ive been experimenting for some time with PP7 (s-log 2), in order to get a higher dynamic range when filming with my Sony A7ii. But that doesn’t mean Sony has made the process clear or simple. These BASE LUTs sets the correct contrast, saturation and gamma levels for the different cameras without loosing information in highlights or shadows – no whites are clipped and Superwhites (video signals over 100% IRE) are scaled to 100% IRE to expand dynamic range even further. Discover the 7S II E-mount Camera with Full-Frame Sensor from Sony & explore all the Cameras features. How to Use S Log 2 and S Log 3 on the Sony a7S II One of the first questions everyone asks when they first shoot with an a7S II is how do I get it into S Log Probably the default now is to shoot with the Sony a7S II in some sort of log profile. This List contains the most popular cameras and the representing base LUT download for the specific gamma available on these cameras. The LUT gives you a specific color look, but depending on your camera settings and picture profile, you may need to change the intensity of the LUT in your editing program to make the LUT fit your footage.List of most popular Canon, Sony, Panasonic camera Base LUTs 0.00 USD Pay in 4 interest-free installments for orders over 50.00 with Learn more Add to cart This is a custom conversion LUT that will translate Slog 3 footage from Sony cameras to Rec 709. Set your whitebalance around 5500k (kelvin) when shooting outside. There is a PDF file inside the ZIP folder that explains the Picture Profiles that I use. You need a video editing software like Adobe Premiere Pro, FinalCut Pro or Davinci Resolve.įor Premiere Pro users: Open your Lumetri section and simply apply the LUT to a adjustment layer. These LUTs can be used with any other DSLR/DSLM Camera that gives you a flat picture profile. Download this Sony A7S3 Utility Lut for free at Kondor Blue. Each LUT in two versions, one for S-LOG and one for HLG (less strong): Color grading Sony A7S II (S-Log2) using LUTs for cinema look. Sony A7siii Lut (11 Results) Best Sony Slog LUTs - Slog LUTs Pack, Sony a7iii. The LUTs are designed for use in post production with any Sony S-log3 capable camera. These BASE LUTs sets the correct contrast, saturation and gamma levels for the different cameras without loosing information in highlights or shadows no whites are clipped and Superwhites (video signals over 100 IRE) are scaled to 100 IRE to expand dynamic range even further. Either use S-Log or Cine-2 for these Sony cameras. Graded with the Cinematic Luts for A7sIII. It will also work for the following cameras: Sony A7RIII / A7RIV / A7C /Īnd SONY A7II / A7RII / A7SII / A6300 / A6500. This is a LUT Bundle which includes 12 LUTs I created for my Sony A7S III / A7III for HLG & S-Log picture profile. The ZIP contains 24 CUBE files, which you can use for getting the same color look on your video footage.
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